Music for Meditation and Trance Induction

In the realms of meditation and trance induction, music emerges as a profound and often underappreciated tool. This article delves into the intricate relationship between music and the mind, unraveling how melodies and rhythms can transcend mere entertainment to become powerful catalysts for inner peace, focus, and deep introspection.

Music, in its essence, is more than a collection of harmonies and beats. It’s a universal language that speaks directly to the soul, bypassing the chatter of the conscious mind to touch the deeper layers of our psyche. In the context of meditation and trance states, music assumes a pivotal role – it acts as a bridge, guiding individuals from the hustle of daily life into serene landscapes of tranquility and heightened awareness. From the gentle flow of ambient tunes to the rhythmic pulses of drum beats, music offers a spectrum of experiences designed to foster relaxation, focus, and a profound connection with the self.

This article aims to explore the science behind how music affects our brain and body, creating pathways to meditative and trance states. We will delve into the concept of brainwave entrainment, uncovering how specific musical elements can align with our brain’s frequencies to induce relaxation and focus. The psychological impacts of music, from its ability to soothe anxiety to enhancing concentration, will also be examined.

Additionally, we’ll navigate through various types of music ideal for meditation – from the ethereal realms of ambient and drone music to the naturalistic echoes of nature sounds and the advanced technology of binaural beats and isochronic tones. The role of traditional and cultural music in meditation practices across different cultures will be highlighted alongside the simplicity and effectiveness of minimalist music.

As we journey through this exploration, readers can expect to gain insights into practical tips for incorporating music into their meditation routines, personalized approaches to select music that resonates on a personal level, and strategies to overcome challenges that may arise in this journey. Whether you’re a seasoned meditator or a curious beginner, this article promises to enrich your meditative practices by harnessing the transformative power of music.

The Science Behind Music and Meditation

The interplay between music and meditation is a symphony of the senses, deeply rooted in the science of how sound waves interact with our brain and body. At its core, music is a rhythmic arrangement of sounds, but its impact on the human psyche and physiology is profound and multifaceted. This section explores the scientific underpinnings of how music influences our mental and physical states, particularly in the context of meditation.

Influence on the Brain and Body: Music’s influence extends beyond mere auditory pleasure. It triggers a cascade of neurochemical responses in the brain. Listening to music stimulates the release of dopamine, a neurotransmitter associated with pleasure and reward, creating a sense of well-being and euphoria. Simultaneously, it can lower cortisol levels, reducing stress and anxiety. On a physiological level, music can influence heart rate, breathing patterns, and even blood pressure, aligning these bodily functions into a more relaxed and harmonious state – a prerequisite for effective meditation.

Brainwave Entrainment: A pivotal aspect of music’s role in meditation is brainwave entrainment. This phenomenon occurs when the brain’s natural frequencies synchronize with the rhythm of external sounds, such as music. Different brainwave states – like alpha (relaxation), beta (alertness), theta (deep meditation), and delta (deep sleep) – can be encouraged by listening to music at corresponding frequencies. For instance, music with a slower tempo can promote alpha and theta brainwave activity, which is conducive to meditation and deep relaxation.

Psychological Impact: The psychological effects of music are as significant as the physiological ones. Music can act as a powerful tool for focus and concentration, helping to anchor the mind in the present moment. This is particularly beneficial in meditation, where the goal is often to achieve a state of focused awareness or mindfulness. The right kind of music can create a conducive environment for meditation, allowing practitioners to delve deeper into their practice by providing a soothing and supportive background that enhances focus and reduces the likelihood of distraction.

In summary, music interacts with our brain and body in complex ways, making it an effective tool for meditation. By understanding and harnessing the science behind this interaction, individuals can optimize their meditative experiences, achieving deeper levels of relaxation and focus.

Types of Music for Meditation

The auditory journey of meditation is diverse and rich, offering various types of music, each with its unique characteristics and benefits. This diversity ensures that every individual can find a sound that resonates with their meditative needs. Here, we explore some of the key types of music that are particularly effective for meditation.

1. Ambient and Drone Music: Ambient music is characterized by its atmospheric, tone-based soundscapes. It often lacks a definitive beat or rhythm, creating an immersive background that encourages deep relaxation and contemplation. Drone music, a subset of ambient music, focuses on a single, continuous note or chord. This type of music is particularly beneficial for meditation as it promotes a sense of stability and continuity, helping to quieten the mind and facilitate a state of deep concentration.
2. Nature Sounds: The sounds of nature – such as birds chirping, water flowing, or leaves rustling – can be profoundly relaxing and grounding. These sounds often evoke a sense of peace and tranquility that is deeply rooted in our human experience. Nature sounds can help to reduce stress, improve mood, and enhance concentration, making them ideal for meditation, especially for those seeking a connection with the natural world.
3. Binaural Beats and Isochronic Tones: These are forms of soundwave therapy. Binaural beats involve playing two slightly different frequencies in each ear, which the brain perceives as a single tone. Isochronic tones, on the other hand, involve evenly spaced tones that turn on and off quickly. Both are used to encourage certain brainwave states that aid in relaxation, focus, and deep meditation. They can be particularly effective for those who struggle to quieten their mind through traditional meditation techniques.
4. Traditional and Cultural Music: Many spiritual practices incorporate specific types of music. For example, Tibetan singing bowls produce resonant sounds that are used in Buddhist meditation, while Gregorian chants in Christian traditions offer a melodic pathway to contemplation and reflection. These traditional music forms are deeply intertwined with the cultural and spiritual practices they originate from, offering a rich, historical context to the meditation experience.
5. Minimalist Music: Embracing simplicity, minimalist music focuses on repetition and subtle changes over time. It often features a small number of instruments and simple, harmonious melodies. This type of music can be particularly effective for meditation as it provides a gentle, unobtrusive background that aids in focusing the mind without overwhelming it.

Each of these musical types offers unique pathways to meditation, catering to different preferences and needs. Whether one seeks the enveloping warmth of ambient drones, the natural harmony of environmental sounds, the scientifically crafted frequencies of binaural beats, the rich traditions of cultural music, or the serene simplicity of minimalist compositions, there is a sound to anchor every meditative journey.

Music in Traditional Meditation Practices

The tapestry of meditation practices across the world is richly interwoven with musical traditions, each culture bringing its unique sonic expression to the art of inner contemplation. Music, in various forms, has been an integral part of meditation and spiritual rituals across cultures, serving as a conduit to deeper spiritual experiences and states of consciousness.

Cultural Integration of Music in Meditation:
Music’s role in meditation varies significantly across cultures, reflecting the diverse spiritual and philosophical beliefs of each tradition. In some cultures, music is the central focus of the meditative practice, while in others, it serves as a supportive backdrop to facilitate a meditative state. The unifying thread is the use of music as a means to transcend the ordinary state of consciousness and connect with something greater – be it the self, the divine, or the universe.

Specific Examples:

1. Tibetan Singing Bowls: Used in Buddhist meditation, these bowls produce rich, deep tones when struck or circled with a mallet. The harmonic overtones and resonant vibrations of the bowls are believed to promote healing, balance energy centers, and aid in deep meditation.
2. Sufi Whirling (Sama): Music is central to Sufi whirling, a form of physically active meditation practiced by the whirling dervishes of the Mevlevi order. The ritual combines music, usually featuring ney (flute) and drums, with spinning movements, leading to a state of spiritual ecstasy and connection with the divine.
3. Gregorian Chants: In Christian monastic traditions, specifically within the Catholic Church, Gregorian chants have been used as a meditative aid. These plainchant melodies are designed to be simple and reflective, fostering a contemplative state among the practitioners.

Modern Adaptations:
In contemporary times, these traditional musical forms have been adapted and integrated into modern meditation practices. Tibetan singing bowls, for instance, have gained global popularity in meditation studios and personal practices. The principles of Sufi music and dance have inspired modern movement-based meditation forms. Similarly, Gregorian chants have found a place in modern Christian meditation and beyond, appreciated for their serene and contemplative qualities.

The use of music in traditional meditation practices is a testament to its power to elevate the human spirit beyond the mundane. As these ancient practices continue to inspire modern adaptations, music remains a timeless companion in the journey of meditation, bridging the gap between the old and the new, the spiritual and the everyday.

Music for Trance and Deep Meditative States

In the quest for deep meditative states and trance-like experiences, music plays a pivotal role. It serves as a powerful tool not only for relaxation but also as a conduit to altered states of consciousness, such as those experienced in trance or during practices like Wake-Initiated Lucid Dreaming (WILD) and Astral Projection. This section explores how music aids in achieving these profound states and offers recommendations for musical selections conducive to such practices.

Music as a Gateway to Trance States:
Trance states, often described as a deep state of relaxation with focused concentration, are where the individual is fully immersed in the experience, losing awareness of their physical surroundings. Music facilitates this by providing a rhythmic and auditory stimulus that can help quiet the incessant chatter of the mind and guide the listener to a state where the conscious mind is at rest and the subconscious becomes more accessible. The repetitive and hypnotic elements in certain types of music can act as a focal point, helping the listener maintain a balance between relaxation and focused attention, which is essential for entering trance states.

Balancing Relaxation and Focus:
Achieving a trance state requires a delicate balance between relaxation and focus. Music that is too stimulating might prevent deep relaxation, while tunes that are too soothing may lead to sleep rather than a focused trance state. The ideal music for trance and deep meditation is typically characterized by a steady rhythm or beat, minimal changes in melody or tempo, and an immersive quality that encourages deep focus.

Music Recommendations for WILD and Astral Projection:

1. Ambient and Space Music: These genres are ideal for inducing trance states due to their expansive and often ethereal soundscapes. Ambient music’s lack of a definitive rhythm allows for deep immersion without excessive mental stimulation.
2. Binaural Beats and Isochronic Tones: These auditory processing artifacts are known to facilitate brainwave entrainment, a process where brainwave frequencies align with the audio stimulus. Binaural beats and isochronic tones can be engineered to target specific brainwave states conducive to WILD and Astral Projection.
3. Drone Music: The continuous sound and tonal flatness of drone music provide a steady auditory backdrop ideal for trance induction. Its monotony can help in maintaining focus and preventing the mind from wandering.
4. Nature Sounds: Gentle, rhythmic nature sounds like ocean waves or a flowing river can also be effective. They provide a calming, repetitive background noise that can enhance the trance experience without leading to sleep.
5. Tibetan Singing Bowls and Gongs: The rich overtones and deep resonances of these instruments are highly effective in creating an atmosphere conducive to trance states and deep meditation.

In conclusion, the use of music in achieving trance and deep meditative states is a nuanced process. The right selection of music can significantly enhance the experience, helping individuals access deeper levels of consciousness and facilitating practices like WILD and Astral Projection. The key is to find music that resonates on a personal level, maintaining the fine balance between relaxation and focused attention.

Practical Tips for Incorporating Music into Meditation

Integrating music into a meditation practice can profoundly enhance the experience, but it requires thoughtful consideration to ensure that the music aligns with individual needs and goals. Here are some practical tips for effectively incorporating music into meditation.

1. Choosing the Right Type of Music:

• Personal Preference and Intention: The choice of music should resonate with your personal taste and the intention of your meditation. For relaxation, opt for softer, slower music, like ambient or nature sounds. If your goal is focus and concentration, consider rhythmic or minimalist music.
• Experimentation: Don’t hesitate to explore different genres and styles. Sometimes, the most unexpected type of music can deeply resonate with your meditation practice.
• Avoiding Distractions: Be wary of music with lyrics or complex melodies that might distract you. The aim is to aid meditation, not to engage the conscious mind in active listening.

2. Selecting:

• Volume: Keep the volume at a level where it feels immersive yet not overpowering. The music should envelop you without dominating your awareness.
• Duration: The length of the music should match your intended meditation duration. It can be helpful to choose pieces or create playlists that serve as a natural timer for your practice.
• Ambiance: Consider the acoustics of your meditation space. The music should complement, not conflict with, the natural ambiance of your environment.

3. Combining Music with Other Practices:

• Breathwork: Sync your breathing with the rhythm of the music. This can deepen relaxation and enhance focus.
  Visualization: Use the music as a backdrop to visualization practices. Let the music guide and shape the imagery in your mind.
  Mindfulness: Practice mindfulness by paying attention to the different elements of the music, like the melody, rhythm, and instruments, allowing them to anchor you in the present moment.

Incorporating music into meditation is a deeply personal journey. It’s about finding a harmonious balance where the music supports and enhances your practice. By carefully selecting music, setting the right environment, and combining it with other meditative techniques, you can create a rich and fulfilling meditation experience.

Personalization and Experimentation

Embarking on a meditative journey with music is an intimate and individualized experience. Each person resonates with different sounds, and what may be profoundly relaxing for one might be less impactful for another. This section emphasizes the importance of personalization and experimentation in finding the perfect musical accompaniment for your meditation practice.

Encouraging Exploration:

• Diverse Genres: Start by exploring a wide range of musical genres. From the soothing tones of classical music to the natural rhythms of ambient sounds, each type of music offers a unique meditative experience. Don’t limit yourself to traditional meditation music; sometimes, the most surprising genres can provide the most profound meditative experiences.
• Mix and Match: Experiment with combining different types of music in a single session or across sessions. This approach can offer varied sensory experiences and may help in discovering what truly enhances your meditation practice.
• Reflect on Your Responses: Pay attention to how different types of music affect your mood, thoughts, and bodily sensations. This reflection can guide you in identifying the music that best suits your meditation goals and personal preferences.

Importance of Personal Preference and Comfort:

• Emotional Connection: The music you choose should evoke a positive emotional response. It should make you feel relaxed, at peace, or even energized, depending on your meditation objectives.
• Cultural and Personal Relevance: Sometimes, music that has personal or cultural significance can enhance the meditative experience, creating a deeper connection and sense of comfort.
• Comfort Over Convention: While exploring, prioritize your comfort and preferences over conventional choices. Meditation is a personal journey, and the music you select should align with your inner harmony and not just follow popular trends.

Ultimately, the integration of music into meditation is a process of personal discovery. It requires patience, openness, and a willingness to step outside your comfort zone. By experimenting with different sounds and observing their effects on your meditative practice, you can tailor a musical landscape that not only complements but also deepens your meditation experience. This journey of musical exploration is not just about finding the right tunes; it’s about understanding yourself and your needs on a deeper level.

Potential Challenges and Solutions

Integrating music into meditation can sometimes present challenges, such as distraction or overstimulation. However, with the right strategies, these hurdles can be effectively managed, ensuring a harmonious blend of music and meditation. Here are some common challenges and practical solutions to help you seamlessly incorporate music into your practice.

1. Distraction:

• Music Selection: Opt for music that is simple and repetitive rather than complex or lyrically dense. Ambient, drone, or minimalist music can be good choices as they are less likely to engage the active thinking part of the brain.
• Volume Control: Play the music at a low volume so it acts as a gentle backdrop to your meditation rather than a focal point.
• Familiarity: Sometimes, using the same piece of music consistently can reduce distraction, as the familiarity of the sound can be comforting and less engaging to the mind over time.

2. Overstimulation:

• Simplicity is Key: Choose music that is soothing and uncomplicated. Avoid tracks with sudden changes in tempo or volume, as these can be jarring and counterproductive to meditation.
• Duration and Intensity: Start with shorter sessions and gradually increase the duration as you become more comfortable with the addition of music. This gradual approach can help your mind and body acclimatize to the sensory input.
• Silence Breaks: Incorporate periods of silence within your meditation to balance the stimulation from the music. This can provide your mind with moments of rest and prevent sensory overload.

Gradual Integration of Music:

• Start Slow: Begin with short pieces of music or incorporate music for only a portion of your meditation session. Gradually increase the duration as you become more accustomed to it.
• Combining Techniques: Pair music with other meditative practices like breathwork or guided imagery. This can help anchor your focus and make the integration of music more natural.
• Routine Building: Consistently use music in your meditation practice to build a routine. Over time, your mind will come to associate the music with a meditative state, making the process more effortless.

By addressing these challenges with thoughtful solutions and a gradual approach, music can become a deeply enriching part of your meditation practice. Remember, the key is to listen to your body and mind, adjust accordingly, and find the balance that works best for you.

Conclusion

The harmonious interplay between music and meditation offers a pathway to deeper self-awareness, relaxation, and spiritual enrichment. Throughout this article, we’ve explored the multifaceted role of music in enhancing meditative practices, examining its scientific underpinnings, various forms, and practical applications. From the soothing cadences of ambient and drone music to the rhythmic pulses of nature sounds and the focused frequencies of binaural beats, we’ve seen how different types of music cater to diverse meditative needs and preferences. Traditional and cultural music from various spiritual practices remind us of the historical and global significance of music in meditation, while minimalist music highlights the power of simplicity.

Key to the effective integration of music into meditation is understanding and respecting personal preferences and intentions. The journey of discovering the right musical accompaniment is deeply personal and calls for experimentation and exploration. It’s about finding a balance that aligns with individual meditative goals – whether it’s achieving deep relaxation, fostering concentration, or facilitating transcendental experiences.

However, integrating music into meditation is not without its challenges. Distraction and overstimulation are common hurdles, but with the right approach – mindful selection of music, volume control, and a gradual integration process – these challenges can be gracefully overcome.

As we conclude, it’s important to remember that meditation, much like music, is an evolving practice, rich with opportunities for personal growth and discovery. Whether you are a seasoned meditator or a curious beginner, the incorporation of music offers a refreshing dimension to your practice. The journey of combining music and meditation is an ongoing exploration, one that evolves with time and experience. I encourage you to keep an open mind, experiment with different sounds, and observe how they influence your meditative journey. May your exploration of this harmonious blend of music and meditation lead you to deeper realms of tranquility, focus, and spiritual fulfillment.

FAQ

Can music be used as a tool for meditation – a focus tool that prevents the inner voice from wandering – like the breath is used in Anapana meditation?

Yes, music can indeed be used as a tool for meditation, much like the breath is utilized in Anapana meditation. This concept is rooted in the belief that music, particularly certain types, can help focus the mind and facilitate a meditative state. Here are some ways music can be effective in meditation:

1. Promoting Relaxation: Certain types of music, especially those with a slow tempo and calming melodies, can promote relaxation. This can help in reducing stress and anxiety, creating a conducive environment for meditation.
2. Aiding Concentration: Music can act as a focal point for the mind, helping to keep it engaged and preventing it from wandering. This is similar to focusing on one’s breath during Anapana meditation.
3. Enhancing the Meditation Experience: Music can deepen the meditative experience by inducing a trance-like state. This can make the practice more immersive and potentially more beneficial.
4. Facilitating Mindfulness: Listening to music mindfully, where one pays close attention to the different elements of the music (like melody, rhythm, and instruments), can be a form of meditation in itself.
5. Variety and Accessibility: Music offers a wide variety of choices to suit individual preferences and moods. It’s also easily accessible, which can make it a convenient tool for meditation.
6. Emotional Release: Music can evoke emotions, which can be therapeutic. This emotional release can be an integral part of the meditative process, helping to process and release pent-up feelings.

It’s important to note that while music can be beneficial for some, it may not work for everyone. The key is to find what best helps you reach a meditative state, whether it’s music, breath focus, or another method.

Are there any traditional methods of meditation that use music as an anchor?

Yes, there are several traditional meditation practices that incorporate music as an anchor or focal point. These methods often use music to aid in concentration, induce relaxation, or enhance the spiritual experience. Here are a few examples:

1. Sufi Meditation (Sama): In Sufism, music plays a central role in meditation and spiritual practices. The Sama, which includes the famous whirling dervishes, uses music and dance to reach a state of spiritual ecstasy and union with the divine. The music in Sama typically involves hymns, chants, and instrumental pieces that are deeply spiritual and meditative in nature.
2. Indian Classical Music and Bhakti Yoga: In Indian traditions, music, particularly devotional songs (Bhajans) and Indian classical music, is often used in Bhakti Yoga, a spiritual practice that focuses on devotion and love for the divine. Kirtan, a form of Bhakti Yoga, involves group singing, chanting, and music to focus the mind and express devotion.
3. Gregorian Chant in Christian Mysticism: In Christian mysticism, Gregorian chants have been used as a form of meditative practice. These chants, with their repetitive and melodic nature, are designed to induce a contemplative state, helping individuals to focus their mind and feel closer to the divine.
4. Tibetan Buddhist Chanting and Music: Tibetan Buddhism incorporates music and chanting into its meditative practices. Instruments like singing bowls, bells, and gongs, along with ritual chanting, are used to support meditation, create a sacred atmosphere, and aid in achieving deeper states of awareness.
5. Shamanic Drumming: In various indigenous and shamanic traditions, drumming is a method used to induce trance states for meditation and spiritual journeys. The repetitive rhythm of the drumming acts as a focal point for meditation, facilitating altered states of consciousness.
6. Qawwali in South Asian Sufism: Qawwali is a form of Sufi devotional music popular in South Asia. It’s intended to lead listeners into a state of spiritual ecstasy, often serving as a form of meditation and a means to connect with the divine.

These traditional practices highlight how music can be an effective tool for meditation, providing a sensory focus that helps calm the mind and deepen the spiritual experience. However, the specific use and significance of music in meditation can vary greatly across different cultures and spiritual traditions.

What type of music would be ideal for maintaining a state of meditative witnessing, characterized by the absence of thinking or mental activity (no-mind)?

For maintaining a state of meditative witnessing without thinking or movements of the mind (often referred to as “no-mind”), the ideal type of music is typically minimalistic, ambient, and without distracting elements. The goal is to use music that supports a deep meditative state without drawing too much attention to itself. Here are some characteristics to look for:

1. Ambient Music: Ambient music, known for its emphasis on atmosphere over traditional musical structure, is often ideal. It tends to be non-intrusive and can create a calming environment conducive to a no-mind state.
2. Slow Tempo: Music with a slow tempo can help slow down the mind’s activity, aiding in reaching a state of deeper meditation. The rhythm should be steady and unhurried.
3. Minimal Melody: Choose music with minimal melody or very simple, repetitive melodies. Complex or catchy melodies can engage the mind’s attention and distract from the meditative focus.
4. Nature Sounds: Sounds of nature, such as flowing water, rain, or forest ambience, can be very effective. They often provide a soothing backdrop that enhances meditation without the distractions that typical musical compositions might introduce.
5. Tibetan Singing Bowls and Gongs: The resonating sounds of Tibetan singing bowls and gongs are used in meditation for their ability to produce a rich spectrum of vibrations and overtones. These sounds are believed to aid in clearing the mind and inducing a state of deep meditation.
6. Drone Music: This type of music focuses on a continuous, harmonic drone without the distraction of rhythm and complex melodies. It can be very effective for deep meditation as it creates a sort of sonic blanket, allowing the mind to rest.
7. Binaural Beats: Binaural beats involve playing two slightly different frequencies in each ear, which the brain perceives as a single, pulsating tone. This can be effective for meditation, as some studies suggest it may enhance relaxation and focus.
8. Chanting and Mantras: Repetitive chanting or listening to mantras can also be effective. The repetitive nature of these sounds can help quiet the mind and maintain a meditative state.

Remember, the effectiveness of music in meditation can be highly subjective. It’s important to choose music that resonates with you personally and helps you achieve the desired state of no-mind. Experimenting with different types and observing their effects on your meditation practice is often the best way to find what works for you.

Did you know that Osho used to listen to music?

Yes, Osho (formerly known as Bhagwan Shree Rajneesh), a well-known spiritual teacher and leader of the Rajneesh movement, was known to have an appreciation for music. He believed that music had a significant role in the spiritual and meditative journey. Here are a few points about Osho’s relationship with music:

1. Use in Meditation Techniques: Osho often incorporated music into his meditation techniques. His unique meditation practices, such as the Osho Dynamic Meditation, sometimes included stages where music was used to enhance the meditative experience, helping practitioners to deepen their practice.
2. Diverse Musical Tastes: Osho was known to have eclectic musical tastes, enjoying a wide range of music from classical Western to traditional Indian music. He often spoke about the power of music to move people emotionally and spiritually.
3. Music in Commune Life: Music played a significant role in the daily life of his commune. It was used not only for meditation and spiritual gatherings but also for celebrations and social events.
4. Encouragement of Music and Dance: Osho encouraged the use of music and dance as tools for self-expression and spiritual exploration. He viewed these artistic forms as ways to transcend the mind and reach a state of joy and inner silence.
5. Music as a Spiritual Tool: Osho often spoke about the ability of music to calm the mind and open the heart, seeing it as a valuable aid in the pursuit of spiritual awakening.

Osho’s teachings and practices emphasized the importance of joy, celebration, and creativity, and music was a key component of this approach. He viewed music not just as entertainment but as a medium to access deeper states of consciousness and inner peace.

I believe he mentioned listening to the same music – the same tracks – every day. Do you know anything about that?

Yes, Osho, the spiritual leader and founder of the Rajneesh movement, did mention listening to the same music tracks every day. He described a deeply personal and meditative relationship with these songs, indicating that he knew them more intimately than perhaps even those who wrote and sang them. He listened to these chosen songs thousands of times, each day entering into a new depth of experience with them. For Osho, this routine was not about the novelty of the music but about the depth and the meaning he derived from repeated listening.

Osho explained,

after my breakfast, for two or three hours I listen to my chosen songs. I know them perhaps more than the people who wrote them and the people who sang them. I am far more acquainted with them because I have heard them thousands of times. Every day I enter a new depth. It is almost a state of deep silence; and because of the silence, my body relaxes and goes to sleep – I am awake. With the body, the words are connected; with me, the meaning.

His approach to music was unique in that he was not seeking entertainment or intellectual stimulation from it. Instead, he used music as a tool for meditation and self-exploration. The repetition of the same songs served as a way to transcend the literal and superficial aspects of the music, allowing him to delve into a deeper, more spiritual connection with the sounds and the silences between them.

Osho’s experience with music reflects his broader teachings on mindfulness and presence. By listening to the same tracks repeatedly, he demonstrated a practice of deepening one’s experience with a singular focus, finding new layers and meanings in what might initially seem repetitive or mundane. This practice aligns with his philosophy of finding the extraordinary within the ordinary and seeking spiritual depth in everyday experiences.

Sometimes, very rarely, I listen to instrumental music. Many people have asked me, “If you are not interested in the words, then instrumental music should be more to your liking.” But it is not the case.

Why did Osho prefer music with lyrics over instrumental music for meditation?

Osho preferred music with lyrics over instrumental music because, for him, the presence of words in a song created a unique opportunity for a deeper spiritual and meditative experience. He believed that words in music provided a dimensionality that instrumental music lacked. In his view, the words in a song created a kind of polarity with silence, a contrast that was essential for diving into the vertical, deeper, and more meditative aspects of the music.

As Osho explained, “With the body, the words are connected; with me, the meaning.” This statement reflects his approach to experiencing music beyond its surface elements. The words in the songs served as a gateway to a more profound, intangible essence, which he sought in his meditative practices. He believed that by repeatedly listening to the same songs with lyrics, he could move beyond their literal meaning and encounter the music’s deeper, more intrinsic qualities.

This process of repeated listening allowed the words to become, in a sense, transparent or secondary, giving way to a more direct experience of the song’s underlying emotion or spirit. Osho found that instrumental music, lacking this verbal element, did not offer the same depth of experience. Without words, there was no similar point of contrast to deepen his meditation and inner exploration.

In essence, for Osho, the presence of lyrics in music created a dynamic interplay between sound (words) and silence (meaning), enabling a deeper journey into the realms of consciousness and spirituality. This approach was in line with his broader teachings, which emphasized finding deeper meaning and spiritual awakening through everyday experiences and practices.

Of course, the lyrics should be poetic, as Osho explains:

The song is not in the words: it is something around the word, between the words, between the lines, but never in the word itself. If it is authentic poetry then there will be a depth where words are lost: you dive into the meaning itself, the pure meaning. It is more sound and silence. The word is left far behind; the word becomes almost transparent.

And he continues:

The purpose is how to go farther than the word. The only way is to repeat the words so many times that they become absolutely meaningless, irrelevant. And when it becomes irrelevant, only then the vertical dimension opens; you start falling into its depth. But that is possible only with authentic poetry or authentic music, not with ordinary music or ordinary poetry which is composed by the mind. That is nothing but a play with words; there is nothing to be conveyed.

Meditating with repetitive music that has poetic lyrics helps transcend the literal meaning of words, allowing for a deeper, vertical immersion into the essence and emotion conveyed beyond the mere horizontal flow of the melody.

I still don’t understand the difference between music with poetic lyrics and instrumental music.

Osho’s perspective on preferring music with lyrics over instrumental music is rooted in his understanding of the different dimensions of experiencing sound and silence. He explains this concept using the notions of ‘horizontal’ and ‘vertical’ dimensions of experiencing music.

Horizontal Dimension:

1. Familiarity and Predictability: The horizontal dimension relates to the linear, time-bound aspect of music, where a song unfolds in a sequence. When one listens to a song with lyrics, especially repeatedly, the words and their sequence become familiar. This familiarity leads to predictability, where the listener knows what word or phrase is coming next.
2. Intellectual Engagement: In this dimension, the engagement with the music is primarily intellectual or cognitive. The listener engages with the words, their meaning, and the narrative of the song. It’s an external engagement where one is conscious of the distinct elements of the song – the lyrics, melody, rhythm, etc.

Vertical Dimension:

1. Transcending Words: Osho highlights that beyond the words and their apparent meaning, there’s a deeper, vertical dimension to experiencing music. When one becomes so familiar with the lyrics that they lose their conventional meaning and intellectual stimulus, it opens a doorway to a deeper, more meditative state.
2. Experiencing Essence: In this vertical dimension, the focus shifts from the words themselves to the essence or the energy behind them. It’s akin to diving deep into the music, beyond the superficial layers of language and intellect. This dimension is more about feeling and experiencing rather than thinking and analyzing.
3. A Bridge to Silence and Meditation: Osho suggests that the repetitive and familiar nature of lyrics in a song can serve as a bridge to meditation. The words, through their rhythm and repetition, create a space where the mind can transcend its usual patterns of thought and enter a state of deeper awareness or silence.
4. Contrast between Sound and Silence: The presence of lyrics creates a contrast between sound (words) and silence (the gaps and spaces between words or lines). This contrast is essential for one to appreciate and experience silence more profoundly. In instrumental music, this contrast is less pronounced as it primarily operates in the realm of sound and melody.

In summary, Osho’s preference for music with lyrics over instrumental music is based on the potential of lyrics to serve as a tool for transcending their own literal meaning, leading one into a state of deeper meditation. This approach is deeply tied to his broader spiritual philosophy, which emphasizes moving beyond the mind and its constructs to experience a more profound state of being.

Do you know which specific tracks he was listening to?

Based on a SannyasNews.org article, Osho’s musical tastes were quite eclectic and extensive, especially in the realm of Indian music. He listened to a variety of tracks, primarily from Indian films and classical Indian music genres. Some specific tracks and artists Osho was known to listen to include:

1. Asha Bhosle – Renowned for her playback singing in Indian cinema, Osho listened to her songs from films like “Do-Badan” and “Devar.”
2. Lata Mangeshkar, Usha & Meena Mangeshkar – He enjoyed their songs from the film “Mother India,” a classic in Indian cinema.
3. Mohd. Rafi – A prominent Indian playback singer, Rafi’s songs from films like “Pyaasa” and “Neela Akash” were part of Osho’s collection.
4. Shri Pannalal Ghosh – An instrumental artist, with tabla accompaniment by Lalji Gokhle. Osho had recordings of his instrumental music.
5. Talat Mahmood – His songs from “Sujata” and other Hindi films were also in Osho’s collection.
6. Pandit Ravi Shankar – A globally recognized sitar maestro, his instrumental tracks were part of Osho’s regular listening.
7. Hari Prasad Chaurasia – Known for his mastery in playing the flute, his rendition of “Thumree in Mishra Pahadi” was among Osho’s favorites.
8. S. Hazarasingh – Known for instrumental film tunes played on the electric guitar.
9. Classical music from Pakistan – This included artists like Nazakat Ali and Salamat Ali.
10. Western Classical Music – Mozart’s piano concertos were also mentioned, showing a diverse range in Osho’s musical interests.

These tracks and artists represent a rich tapestry of Indian music, from film scores and devotional songs to classical instrumental pieces. Osho’s collection reflects a deep appreciation for the emotive and spiritual qualities of music, particularly from the Indian subcontinent. His interest in these genres underscores the universal appeal and transcendent nature of music, which can cross cultural and spiritual boundaries.

What does Osho say regarding using Music as a Meditation?

In Osho’s teachings, the integration of music into meditation is rooted in a profound philosophy of embracing and resonating with the universe’s rhythms and vibrations. He suggests that the universe is akin to an orchestration of divine sounds, where every sound, from everyday life’s hum to structured musical compositions, possesses the potential to deepen our spiritual connections.

Central to Osho’s suggestion is the idea of attentive and loving listening. He emphasizes, “Start listening to sounds, let music be your meditation. Listen to the sounds, all kinds of sounds.” This approach underscores the belief that our interaction with sound, whether perceived as noise or music, is largely shaped by our attitude toward it. By being receptive and loving towards these sounds, we can transform even the mundane noises of daily life into a harmonious, musical experience, enabling a spiritual and meditative connection.

Osho also touches on the concept of embracing all emotions and energies as they arise, rather than attempting to manage or control them. He advocates for surrendering to these energies, allowing them to flow naturally, which also applies to how we experience sounds and music. Surrendering to the rhythm and flow of sounds can lead to a deeper meditative state.

In essence, Osho’s perspective on using music as a meditation is about fostering a harmonious bond with the sounds of the universe. This involves a shift in perception, where sounds are embraced not as distractions but as integral components of the world’s divine symphony, inviting us into its universal rhythm and flow. His approach transforms the act of listening into a meditative practice, enriching our spiritual journey and inner peace.

What type of music would be ideal for entering a trance state (body asleep, mind awake), conducive to practices such as WILD (Wake-Initiated Lucid Dreaming) and Astral Projection?

For practices aimed at achieving a trance state where the body is asleep but the mind remains awake, such as Wake-Initiated Lucid Dreaming (WILD) and Astral Projection, the choice of music is crucial. The music should be conducive to deep relaxation and help in maintaining a fine balance between wakefulness and sleep. Here are some characteristics of music that might be ideal for these practices:

1. Ambient and Drone Music: Ambient music, particularly drone-based, is often recommended for trance-like states. It has a continuous sound without sudden changes in rhythm or tempo, which can help maintain the delicate state between sleeping and wakefulness.
2. Binaural Beats or Isochronic Tones: These types of sounds involve playing two slightly different frequencies in each ear (binaural) or a single pulsing sound in a specific rhythm (isochronic). They are believed to encourage brainwave entrainment, which may help in reaching states conducive to WILD or Astral Projection.
3. Nature Sounds: Sounds like gentle rain, ocean waves, or a flowing river can be very soothing and may aid in relaxation without causing sleepiness. They provide a natural and steady background that can be conducive to trance states.
4. Slow, Rhythmic Music: Slow, rhythmic music with a gentle and steady beat can help in maintaining focus and preventing the mind from wandering, aiding in the transition to a trance state.
5. Minimalist and Space Music: Minimalist music, with its repetitive and simple structures, as well as space music, known for its ethereal and expansive qualities, can be effective. These genres can create a sense of vastness and deep relaxation.
6. Guided Meditation or Hypnotic Tracks: Some people find guided meditation or hypnotic tracks with soft, guiding voices helpful for maintaining awareness while the body relaxes deeply.
7. Tibetan or Crystal Singing Bowls: The resonant and harmonic vibrations of singing bowls can be very effective for meditation and trance work. Their unique tones can help in achieving deep states of relaxation.
8. No Music: Some practitioners prefer silence or minimal ambient noise, as music can sometimes be distracting. This is highly individual, so it’s worth experimenting to see what works best for you.

When choosing music for practices like WILD or Astral Projection, it’s important to select something that you find personally relaxing and not distracting. The volume should be set low enough to be unobtrusive but audible. The goal is to use the music as a tool to aid in reaching the desired state, not to become the focus of attention. Experimentation with different types and styles of music can help you find what best suits your practice.

Could you please provide instructions for a meditation with music?

Absolutely. I will share a meditation technique that I find quite effective. Feel free to adapt it by choosing any music you prefer.

Santo Daime, a spiritual practice originating in Brazil, combines elements of Christianity, South American shamanism, and African animism. It’s known for its use of the sacramental beverage Ayahuasca and its unique hymns, which are central to its ceremonies. However, it’s important to note that using Ayahuasca is illegal in many countries and can have powerful psychoactive effects. The meditation session described below focuses on the use of Santo Daime hymns in a meditative context, not involving Ayahuasca.

Step-by-Step Instructions for a Meditation Session with Santo Daime Hymns

1. Create a Peaceful Environment: Choose a quiet, comfortable space where you won’t be disturbed. You may set up candles or incense to create a serene atmosphere.
2. Select Santo Daime Hymns: Choose hymns from the Santo Daime tradition, such as those from the ‘Concentração‘ or ‘Oração.’ These hymns are often slow and repetitive, suitable for meditation.
3. Sit Comfortably: Sit in a comfortable position, either on a cushion on the floor or on a chair, with your back straight but relaxed.
4. Relax Your Body: Close your eyes and take a few deep breaths. Relax each part of your body, from your toes to your head.
5. Begin Playing the Hymns: Start playing the Santo Daime hymns at a volume that is audible but not overwhelming.
6. Focus on the Melody and Lyrics: As the hymns play, focus your attention on the melody and the words. Let the rhythm and repetition help you enter a meditative state.
7. Witnessing the Mind: As you listen, thoughts may arise. Observe these thoughts without attachment or judgment, letting them pass like clouds in the sky.
8. Merge with the Music: Gradually, try to feel a sense of oneness with the music. Let the boundary between you and the hymns blur, entering a state of ‘no-mind’ where you’re fully immersed in the experience.
9. Maintain a Receptive State: Stay receptive to the spiritual essence of the hymns, allowing any insights or feelings to arise naturally.
10. Gently Return: After 20-30 minutes, or when you feel ready, gently bring your awareness back to your physical surroundings.
11. Reflect: Spend a few moments in silence, reflecting on any experiences or feelings that arose during the meditation.
12. Close with Gratitude: Conclude your session with a moment of gratitude for the experience.

After the Session

• Journaling: It can be beneficial to write down any insights or feelings that came up during the meditation.
• Regular Practice: To deepen the meditative practice, engage in this session regularly.

Note of Caution

• Santo Daime practices and hymns are deeply rooted in a specific cultural and religious context. It’s important to approach them with respect and understanding of their origins.
• Avoid using Ayahuasca or any psychoactive substances without legal sanction and guidance from trained professionals.

This session is intended to facilitate a meditative state through the use of music and repetition, a common technique in various spiritual traditions. The focus is on the transformative power of music and the practice of witnessing, central to meditation.

Mini-Meditation Session with Santo Daime Hymns for Lucid Dream Practitioners (5-10 Minutes)

For a mini-meditation session for lucid dreaming practitioners using Santo Daime hymns, when you only have 5-10 minutes, you can follow these simplified steps. This short practice focuses on quickly entering a meditative state through the hymns, ideal for brief periods of relaxation and reflection. To create a familiar rhythm and experience, choose a few Santo Daime hymns that resonate with you for the purpose of this practice. Here’s a playlist I use:

1. Critical State Testing (Reality Check): Internally pose the question, “Is this a dream?” Really consider the possibility, don’t just dismiss it. Be genuinely open to the idea that you could be dreaming at this very moment.
   – Look around and take in your surroundings. Are there any anomalies or inconsistencies? Ask yourself, “Where am I?” and “How did I get here?” This can often reveal dream-like illogic in a dream state.
   – Now, look at your hands. Examine them closely, noticing every detail. Count your fingers. In dreams, the number of fingers can often be more or less than five, or they might morph as you watch.
   – Check the time across different devices.
   – If you have established that your body is definitely awake, realize that your mind could still be sleeping. Reflect on your current mental state. Are you fully awake and present, or are you lost in thoughts? Recognize that being engulfed in thoughts can be akin to a waking dream. Shift from automatic thinking to a state of witnessing, of No-Mind, where you are not entangled in thoughts but are fully awake and alert. Focus on pure witnessing of the moment, the environment, and your internal state without judgment or internal commentary.
2. Find Your Position: Find a quiet spot if possible. You can sit, lie down, stand, or even dance during the meditation. The important aspect is to remain in a state of witnessing.
3. Preparation: Take a moment to center yourself. Take a few deep, slow breaths. With each breath, let go of immediate concerns or distractions. This helps in bringing your full attention to the moment.
4. Play the Hymns: Begin playing your selected hymns. The music should be at a comfortable volume to facilitate focus.
5. Attentive Listening: Direct your full attention to the music, lyrics, and melody. Let the hymns guide you away from daily distractions, creating a bridge to a more meditative state. You may sing or join the music if you want.
6. Observing Thoughts: As you listen, if thoughts arise, simply observe them without engagement and gently return your focus to the hymns.
7. Immersive Experience: Fully immerse in the music, allowing it to resonate with your inner self. Embrace the rhythm and use it to anchor in the present.
8. Deep Conscious Breath: Between the hymns, take a deep, mindful breath to ground yourself by witnessing the physical body.
9. Return to Awareness: After the hymns, take a few deep breaths, and gradually bring your awareness back to your surroundings.
10. Moment of Silence and Love: Spend a moment in silence, feeling the calmness and love in your heart.
11. Express Gratitude and Love: Silently express gratitude and love, opening your heart to the peaceful experience you’ve just had.
12. Affirmation & Journaling: Conclude with an affirmation like, “I am aware and awake at this moment. My heart is open and full of Love.” Even if you are awake, this practice strengthens your awareness and presence. After the reality check, it might be helpful to jot down your experiences, especially if you do this check in a dream. Take a moment to transition back into your daily activities, carrying the calmness with you. Perform these checks regularly and consistently throughout your day.
13. Integrated Witnessing (Osho’s Meditation Technique) & Tibetan Yoga of Sleep & Dreams (Illusory Body Practice):
    • Throughout your day, aim to maintain this state of witnessing awareness, watching your body, thoughts, and feelings.
    • Whenever you notice that you’ve lost this state of witnessing and have become absorbed in automatic, unconscious patterns—like ‘falling asleep’—remind yourself, “This is a Dream.”
    • Use this reminder as a cue to return to the state of witnessing, re-engaging with the present moment and the awareness of your surroundings and inner state. This practice helps in reinforcing a continuous, mindful awareness in your daily life.

Should I concentrate on the music? Is concentration the same as witnessing?

Osho explains in “The Transmission of the Lamp – Talks in Uruguay” that concentration and watchfulness are fundamentally different. Concentration involves narrowing the mind’s focus to one specific thing, excluding all else. This is an act of the mind and is not the same as watchfulness, which is a broader, more inclusive state of being aware.

He advises that in practicing watchfulness, one should not exclude external elements but include them. For instance, while watching your breath, if there are external sounds like a bell ringing or a child crying, these should be included in your awareness. Watchfulness should be open and all-encompassing, starting with a focus on something like music or the breath, but expanding to include everything in the environment.

Osho emphasizes that relaxation is key to achieving true watchfulness. When you’re relaxed, you can be more aware without concentrating. This state of relaxed watchfulness is inclusive of all experiences and cannot be easily disturbed, unlike concentration, which can be disrupted by minor external stimuli.

He explains:

To begin with, something has to be given to you, so you can have a little taste of what watchfulness is. Then it has to be made wider and wider and bigger, so much bigger that there is no need to do anything. You simply sit, or lie down relaxedly and everything that is happening around you is mirrored in you. You don’t think about it, you don’t justify it, you don’t condemn it, you don’t evaluate it – you simply watch.

In summary, Osho suggests that true watchfulness is an open, inclusive, and relaxed awareness of all that is happening around you without focusing on any particular element. This state of being is achieved not through concentration but through relaxation and an open acceptance of all experiences.

Does meditation require a technique?

According to Osho in “Osho The Rebel – a Questionless Silence,” meditation itself does not require a technique, as it is fundamentally about awareness and alertness, which are not techniques in themselves. However, Osho emphasizes that while meditation is a natural, effortless state of awareness, the journey to reach this state often requires overcoming numerous obstacles, primarily those created by the mind.

These obstacles include the accumulation of thoughts, dreams, past experiences, and future anxieties that distract and distance us from being present in the moment. To address these challenges, Osho suggests that techniques are necessary. These techniques serve as tools to prepare the ground, remove mental obstructions, and create a conducive space for meditation to occur naturally.

He points out that techniques are not the goal but rather a means to clear the way for meditation. By using techniques to quiet the mind and remove distractions, we open ourselves to the possibility of experiencing meditation in its purest form — a state of natural, effortless alertness and awareness.

Thus, while meditation itself is a simple, technique-free state, reaching this state often requires the use of various techniques to overcome the mental barriers that prevent us from experiencing meditation in its true essence.